In 2010, he produced Severe Clear (SXSW, Rome, IDA Docuweeks) based on video footage shot by members of the Marines at the outset of the 2003 invasion of Iraq. In 2005, Marc Executive Produced the award-winning documentary Anytown, USA, a look at the charade of partisan politics in an increasingly polarized nation. Marc co-founded Sirk Productions, with Director/Producer Kristian Fraga. Gary also is recipient of the 2009 Fort Lee Film Commission Alice Guy Blache' Award. Gary was instrumental in working with the Directors Guild of America and the Fort Lee Film Commission in the 2011 DGA honors for Alice Guy Blache' at the DGA Headquarters in New York City. Gary was 2nd Vice President of the Directors Guild of America, is an Adjunct Professor at NYU, and author of the ABC Monday Night Football Cookbook and Restaurant Guide. Gary was recently a Producer on his first feature film, 23 Blast, winner of the Audience Choice Award at the Heartland Film Festival and released theatrically and on Netflix, and is currently serving as both a producer and director on a documentary entitled Clearing Larry Floyd. As his career progressed, he rose from shooter to technical director and, finally, to a director of daytime dramas: Loving, Another World, One Life to Live, General Hospital, and The Bold & The Beautiful, resulting in over 1,000 cumulative hours of broadcasted work in that genre. Gary also covered major news events for ABC News, such as presidential inaugurations and space shuttle events. Early in his career as a cameraman he won 4 Emmy awards for his work with ABC Sports. Gary Donatelli is a 7-time Emmy Award winning Director and Producer. John and a monograph on George James Hopkins, costume and set designer for Fort Lee’s Fox studio whose long career started in 1917 as the designer of costumes and sets for Theda Bara and continued into the 1970s as a set decorator for films as diverse as Auntie Mame and Who’s Afraid of Virginia Woolf? DeMille, a monograph on milliner/couturier Mr. She is writing a biography of Clare West, costume designer for D.W. Her work has been published by, among others, the British Film Institute, the Museum of Contemporary Art in Los Angeles, and Bookforum and her subjects include millinery history, subjectivity, the 1960s, experimental literature, melodrama, film costume and silent cinema. Drake Stutesman edits the peer-reviewed, cinema and media journal, Framework. She is an adjunct professor at New York University where she teaches theoretical film costume and co-founded the Film Costume/ conference with Nancy Deihl. She is the author of Hat: Origins, Language, Style (Reaktion Books, forthcoming 2019).
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